SPOILERS BELOW --- SPOILERS BELOW --- SPOILERS BELOW --- SPOILERS BELOWSPOILERS BELOW --- SPOILERS BELOW --- SPOILERS BELOW --- SPOILERS BELOWVoices of Angels - Initial ReactionsMy Heart Will Go On (Group)
- Very nice group song
- Fitting that this song would begin with Eabha's haunting voice
- During the first chorus they all sing the same notes together. It feels like they were holding all the harmony back for later in the song.
- The harmony near the end is spectacular!
Isle of Hope, Isle of Tears (Eabha)
- An emotional song powered by Eabha's beautiful voice and moving orchestration.
- The Songs from the Heart version of this song is one of my favourite two Celtic Woman songs ever. It's hard to live up to that kind of billing.
- The orchestral swells don't quite reach the epic peaks they did in the original version.
- However, the orchestration does come close at times to drowning out Eabha's voice.
- The massive choir and instrumental surge in the original version worked because 4 girls with high and tremendously powerful voices were able to sing above it. Eabha's voice is deeper, so the higher pitch of the orchestra is relatively more noticeable.
As She Moved Through The Fair - 2016 Version (Susan)
- This song underutilized Susan's skillset
- A variety of supporting instruments, including the harp and uilleann pipes added some intreague to this song
- The bridge in the middle of the song and at the end was surprising but beautiful. I loved it!
Mo Ghile Mear (Group)
- Different words and a different beat
- Epic percussion
- Powerful orchestral and choral backing
- The original is one of my favourite songs! I love this even more than the original arrangement
- One of the few criticisms I have of the Mo Ghile Mear arrangements from A New Journey was that the drum solo in the middle of the song, while it was fun, sort of suspended the momentum of the song.
- In this version, there's a brief section of harmonious a cappella before the finale
- The original arrangement sort of builds towards an epic finale, whereas this new version sustains a higher energy throughout and a thrilling if slightly less explosive ending
Ave Maria (Mairead Carlin)
- Mairead showcases her impressive range
- Similar to Chloë's version from the original Celtic Woman album and every bit as good
- Mairead has more vibrato than Chloë did in her original version
For The Love Of A Princess (Tara)
- Tara showcases her classical style
- This is extremely well done! She draws a tremendous amount of emotion out of her violin.
- The orchestration is deeply moving and supports her well
- The part with the uilleann pipes are quite appropriate to the song
Time to Say Goodbye (Group)
- Mairead Carlin opens the song.
- Mairead really lets loose in this song! Her opera voice is spectacular!
- The group harmony in the last half of the song is very nice
Dulaman- It has Meav!
- More epic percussion and orchestration than the original
- I mean no disrespect to the previous CW versions and the CaraNua arrangement. I enjoyed them greatly. But this is my favourite version of Dulaman by a huge margin.
Walk Beside Me (Group)
- They take turns singing and the group parts are even better than the Destiny version
- The orchestration and uilleann pipes are incredibly moving (so strong it almost drowns out their voices at times)
O, America (Group)
- It's fantastic that Meav finally got an opportunity to sing this
- Might be even more moving than the Isle of Hope / Songs from the Heart verions
- The harmony is more intricate than the original version
- The orchestra and choir backing are gripping and intense
- The uilleann pipes at a celtic feel
- The orchestral swell is breathtaking
- The finale is spectacular
A Time For Us (Mairead Carlin, Tara)
- Mairead Carlin shows off her awesome range and power
- Tara's string-work is passionate
- It's not the catchiest of songs, but it is very pretty
- The key change at the start of the chorus is breathtaking
- Strong, sweeping orchestration
Across The World (Tara)
- Similar style to Mairead Nesbitt's slow-fast songs from previous Celtic Woman albums
- The back half of the song is fast-paced, catchy and extremely fun!
- Tara and her violin gets an intense workout.
- If there was any doubt that Tara was up to the challenge, this song will silence those doubts. Tara maintains a relentless and exhilerating pace through the last half of the song.
- This definitely lives up to the standard set by Mariead Nesbitt.
Teir Abhaile Riu - 2016 Version (group)
- Similar to the Destiny tour arrangement, but with significantly more orchestral backing
- Intense underlying percussion and lively string accompaniment
- It's very different from the Believe and Emerald arrangements. Those arrangements were highly entertaining theatrical pieces. The Destiny tour version was playful, though less theatrical than its predecesors. This version is slightly less playful but more epic.
- The Believe/Emerald versions had a major-key bridge. This version sticks to a minor key throughout.
Joy To The World - 2016 Version (group)
- A lovely arrangement
- The horn gives parts of this song a British feel
- Strong choir backing
- Not quite as thunderous an arrangement as in Home for Christmas
Silent Night (group)
- A change of pace from the previous songs
- Eahba's haunting voice and Tara's enchanting string-work open the song, then the other girls join in
- The voices blend together very well
- Has some intriguing and intricate harmony
Once In Royal David's City (group)
- Sweet and soothing harmony and supporting choir / orchestration
- The melody is very pleasant
- The most hymn-like song on the album
- They truly have voices of angels
I decided not to assign ratings to each song because I was pretty much giving them all 5/5 anyways.
Balance:Celtic Woman has always been known for their epic harmony. I thought Meav, Gavin, and the girls did a very good job of achieving vocal balance when our ladies sang together.
Tara did an excellent job of blending in on the vocal tracks, complimenting their voices perfectly without overshadowing them.
The orchestration was REALLY good. It was way more prevalent than I was expecting, as was the percussion. At some points, the orchestration was so strong that the singers were almost supporting the orchestra instead of the other way around. Even so, it sounded amazing.
Picking Favourites:Least favourite song: As She Moved Through the Fair ... It was a good song, but didn't capitalize on Susan's versatility. I would have loved to unleash her voice on a broadway song. The fact that I still really liked my least favourite song on the album speaks to just how amazing this album was!
Favourite song: Mo Ghile Mear ... An improved version of a song that was already one of my favourites!
Favourite moment: The back half of Across the World ... Extremely fun! Epic pace!
ComparisonsThere were several songs on the album that Celtic Woman has performed before:
- I felt that while Isle of Hope Isle of Tears was beautiful, I still preferred the original version, which is one of my favourite songs ever.
- Teir Abhaile Riu conceded a bit in the way of theatrics and playfulness over the Believe/Emerald versions. The Destiny tour version was playful with the girls unveiling their other musical talents. That playfulness didn't quite get communicated as well in the song without the visual of Eabha playing her tin whistle, Mairead playing her accordion Beatrice, or Susan playing the spoons. However, it still managed to achieve the same energy, just in a different way.
- In the case of Dulaman, O, America, and Mo Ghile Mear, I thought the new versions surpassed even the originals!
I have not yet heard the new recordings of the following songs (waiting on my CD before I can comment):
- Danny Boy
- Amazing Grace
- You Raise Me Up
- Níl Sé'n Lá
Overall impressions:Overall Rating: 5/5
This is Celtic Woman's most uplifting album, in my opinion! It didn't let up! There isn't a single song on this album I didn't love and every moment was incredible!
Over the years, Celtic Woman has produced many songs that are beautiful and powerful beyond description. For me, this album was less about overwhealming emotional peaks as it was about sustained bliss.
Before the album released, I knew I was going to love it no matter what.
But this album somehow exceeded my every expectation.
The lush, sweeping orchestration and the exhilarating percussion were far beyond what I had anticipated. The harmony was sublime. Tara was breathtaking. And WOW did they ever unleash Mairead Carlin in this album! I mean ... WOW!!!
I was expecting to be thrilled like I am with every Celtic Woman album. Instead, I was totally blown away! I'll give it a few days to see if my initial impression becomes tempered, but so far this is a legitimate contender for my favourite album ever!
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